Everything Illuminated

Towards the end of last semester I recognized that my methods of working ceramics and painting had been so divided. The way I though about ceramics has always been to have an idea established and then produce whereas my paintings are studies that I follow through on blindly and paint as I go. However, there were certain elements that could be crossed over and transitioned: line, layers and form to name a few. Taking that into account and still working with creating an environment for these forms to be viewed I continued working with porcelain paper clay and coils.

This is what happened.